The Effects of Jazz and Classical Music on Musicians Essay Example for Free

The Effects of fuck and Classical Music on Musicians bear witnessA thesis presented on the history of kip down as comp ard to classical medical specialty and the effects on musicians, beginning with the birth of jazz, and covering the twentieth century. Berliner (1994) impresses upon the belief that jazz music is more important to a musicians development and an individuals mental health than classical music. It is this authors opinion that Jazz is superior over classical music because jazz music is often soft, smooth, and reflective. In addition, the world of jazz has some wonderful artists who jakes both play and write jazz music so extraordinary that it will make music lovers melt like ice as the focus washes away. Jazz allows people to close their eyes, relax, mediate, and dream about their loved ones.It is the best for mediation purposes because it provides people with softness, calm, soul, and fantasy. The freedom found in jazz represents the freedom wrong of all A mericans. Jazz itself is a success story told through its own invention. True jazz musicians play the music that they do as a prerequisite to themselves. Their music is their diary, and their diary is more pure than words can tell. Jazz is Americas great contri preciselyion to the arts. It is thrilling, exhilarating, and thought-provoking music that stirs emotions of all kinds. Jazz is in the mind, heart, and in the soul. Its influence extends worldwide, and touches all related forms of music. It is an enriching art form that deserves a special place in our vibrant culture.III In the world of jazz, young performers must(prenominal) master a repertoire of chord progressions, off-beats, and harmonies so that they can count on them as structures around which and through which they might weave more charming variations. Jazz players use chord changes as a means of giving shape to melodic improvisation. Classical players merely read lead sheets or contain arrangements and use strict ch ord symbols in a much more static way. Classical music is simple for its rhythmic pattern and simplistic chords piece of music jazz chords are complex Cook (p. 17).Many may argue that classical music is a more integral part of development, hardly a talented classical composer will in fact draw on stylistic elements of jazz to enrich the classical tradition of symphonic music. Classical composers go through consistently been making use of two elements of jazz over the years which are syncopation and harmony characterized by blue notes. Indeed, even apparently cozy classical musicians often sound confuse and unsure about the essence of jazz music. Carr (p. 174). Some of the most accomplished musicians of our time have devoted themselves to a life-long study of jazz music, and few classical musicians have been able to master jazz.Jazz music ran parallel to the development of the twentieth century classical agency music. Those musicians that learn both types of music are not locked into one type of discipline, and will have more musical experiences. We are the musical melting ass achieving a vision of merging cultures that fulfilled the image that America had of its own social destiny. Gioia (P. 395). As a result of this concept, jazz composers began to attend symphony concerts, and after jazz and classical styles began to overlap to a degree which resulted in an art form now referred to as jazz fusion. Some would argue that jazz music is too different from classical due to cosmos unceremonious, gritty, or too improvisational. Between 1920 and 1950 jazz and classical music together made the most lucky contributions to music. One genre essentially has the ability to learn something from the former(a), and can create an even more captivating sound. Ratliff (p. 23)Many could dispute over the fact that a newcomer to jazz might feel bewildered by its proliferation of styles and differing approaches to music-making. Indeed, harmonies are more dissonant, phrases more irregular, accents sharper, and tempos are more varied, but that is what makes it so beautiful. Its casual reputation is evidenced by the inoffensiveness of wrong notes being plated, by singers taking breath sometimes without relation to lyrics, and musicians being introduced right in the middle of a achievement Ratliff (p. 72). Classical music on the other hand can occasionally trigger a thorough exploration of self and mind. It may cause a person to look at their failures in life. A sudden realization of self can be extreme or painful. Not e preciseone enjoys classical music. In the UK, classical music is used to drive groups of youths away from places they congregate in. Jazz music is a beautiful improvisational art making itself up as it goes along just like the country that gave it birth, and with each tap of the foot, jazz musicians reaffirm their connection to the earth.Jazz waxes and wanes between tension and repose. It challenges the musician with unpredictability an d then recognize the listener with predictable rhythms. Jazz rewards individual expression but demands selfless collaboration. Ward (p. 1). Listening to jazz is not just a satisfying and recognize experience studies show that it is actually good for a musicians health. Listening to jazz or playing jazz melodies can relieve chronic pain and migraines, reduce blood pressure, accelerate post-stroke recovery, improve memory, boost immunity and induce relaxation. 2 Jazz music helps distract people. It gives individuals a sense of incorporate and also releases endorphins into their bodies that alleviate pain. There is a very contextual debate that classical music is superior due to the fact it can release dopamine during anticipation and experience of peak emotion to music.It conveys very healthy what the composer puts into it, and although classical music does activate pleasure and reward-related regions of the brain creating a high, playing highly fling stimulating music for long periods is not healthy because it leads to cortisol and noradrenalin secretion without the concomitant fight or flight action. Long term overdose with those hormones is well documented to create many health problems, from depression to sexual dysfunction. The current market share of Jazz in America is mere 3 percent, but jazz is still regarded as a very powerful music which is in the blood and feeling of the American people more than any other style of music. It can be made the basis of serious symphonic works of lasting value in the hands of a talented composer. Jazz music has always been and forever will be fundamental in the development of future musicians Cook (p. 65).GlossaryBebop the style of jazz developed by young players in the early 40s, particularly Parker, Gillespie, Kenny Clarke, Charlie Christian and Bud Powell. Small groups were favored, and simple standard tunes or just their chord progressions were used as springboards for rapid, many-noted improvisations using lon g, irregular, syncopated phrasing. Improv was based on chordal harmony rather than the tune. The higher intervals of the chords (9th, 11th and 13th) were emphasized in improv and in piano chord voicings, and alterations were used more freely than before, especially the augmented 11th. The ground beat was moved from the bass drum to the ride cymbal and the string bass, and the rhythmic feel is more flow rate and subtle than before. Instrumental virtuosity was stressed, while tone quality became more restrained, less obviously expressive. The style cast a very long quarter and many of todays players 60 years later could be fairly described as bebop.Blues (1) A form normally consisting of 12 bars, staying in one key and moving to IV at bar 5. (2) A melodic style, with typical associated harmonies, using certain blues scales, riffs and grace notes. (3) A musical genre, ancestral to jazz and part of it. (4) A feeling that is said to inform all of jazz.Boogie (boogie-woogie) a style of piano playing very popular in the thirties. Blues, with continuous repeated eighth note patterns in the left hand and exciting but often stereotyped blues riffs and figures in the right hand.Cadence A key-establishing chord progression, generally following the circle of fifths. A turnaround is one example of a cadence. Sometimes a substantial section of a tune can be an extended cadence. In understanding the harmonic structure of a tune, its important to see which chords are connected to which others in cadences.Free Jazz a style of the early and middle sixties, involving free playing and a vehement affect. It was originally associated with black heathen nationalism. Sometimes two drummers and/or two bass players were used. Some free jazz was profound, and some not very good. Some who played it later denounced it, but the style became an ingredient in future styles and still has many proponents despite its lack of general popularity.Groove an infectious feeling of rightness in the rhythm, of being perfectly centered. This is a difficult term to define. A Medium Groove is a tempo of, say, 112, with a slinky or funky feeling.Improvisation (improv) the process of ad lib creating fresh melodies over the continuously repeating cycle of chord changes of a tune. The improviser may depend on the contours of the original tune, or solely on the possibilities of the chords harmonies, or (like Ornette Coleman) on a basis of pure melody. The improv also refers to the improvisational section of the tune, as opposed to the head.Inner voice a melodic line, no matter how fragmentary, assembly between the bass and the melody.Interlude an additional section in a tune, especially one between one persons solo and some others. The Dizzy Gillespie standard A Night In Tunisia has a famous interlude.Jazz Standard A well-known tune by a jazz musician. See Standard.Latin (1) Afro-Cuban, Brazilian or other South American-derived. There are many special terms used in Latin music and I havent tried to include them here. (2) Played with equal eighth notes as opposed to swung (see swing def. 2). Also straight-8. The feel of bossa novas and sambas.Pattern a pre-planned melodic figure, repeated at different pitch levels. Something played automatically by the fingers without much thought. Reliance on patterns is the hallmark of a weak player.REFERENCESBerliner, opinion in Jazz, University of Chicago, 1994Carr, Ian, Jazz the Essential Companion, Prentice Hall Press, 1987Cook, Richard, The Penguin Guide to Jazz, Penguin Books, 2004Gioia, Ted, The History of Jazz, Oxford University Press, 1997Ward, Geoffrey, Jazz a History of Americas Music, Random House, 20005